All donations will be used to cover the gallery fees of the exhibition space in Venice.
If I don’t raise the total amount, then the donations will go towards the exhibition of the work in Melbourne.
The show is called Time, Space, Existence at the Palazzo Mora, curated by Rene Rietmeyer.
About the work
Science predicts a future of global warming, rising sea levels and likely conflicts over resources. There may come a time when many parts of the world will become unliveable, flooded and abandoned.
The Flooding of Venice represents this future as a series of photographs.
Working with a scale-model replica of the room at the Palazzo Mora, in Venice, where the work will be exhibited, the artist creates photographs that depict sequentially – and in great detail – the palazzo becoming increasingly derelict: the wallpaper will start to peel off; the marble will crack; plants will start to grow; debris will collect in the space; the roof will deteriorate; water will come flooding into the space; and its structure will crumble.
(Please note that the images here are not the final art-work but only the proposal mock-ups.)
The work functions on multiple levels; the viewer recognises the space depicted by the photographs as the Palazzo Mora, allowing them to identify the predictions being made as likely possibilities of what the future may hold for the space they are standing in.
On another level, the viewer will also be able to recognise the ‘lie’ of the photographs. By presenting the photographs of the modelled space within the real space they challenge the accepted ‘reality’ of the photograph and in particular the architectural photograph.
During the exhibition, as the viewer progresses through the space, the images progress through time, taking the visitor on a journey through imaginary space-time, highlighting concerns about climate change and inviting a critical examination of the role of the photograph.